Prompts that work

9-Frame Commercial Campaign Grid

Create a 3×3 grid in 3:4 aspect ratio for a high-end commercial marketing campaign using the uploaded product as the central subject. Each frame must present a…

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Blobfish Burger Diner Scene

the deep sea blob fish at a table with a burger --ar 3:4 --stylize 50

Double Exposure Balaclava Group Silhouette

A blurred aesthetic photo of a group of adults with revolvers raised. They are in motion, in profile. They are wearing t-shirts, trousers, and balaclavas. The photo appears to have been taken in motion. They are in a studio with a white background. The group is backlit, with the light only allowing the silhouettes to be seen, and they are mixed and dif-fused, confused. The weapons appear in the shadow, and a mark on the ground projects forward. The scene is centered like a movie poster. The photo has a double exposure and is in black and white. --ar 3:4

Impasto Abstract Melting Figure Portrait

10h a portrait of an abstract human figure, made up only of thick impasto paint strokes in neutral colors. the face is twisted and distorted, with the skin appearing to melt off the head, this painting should have bold brushstrokes and textured layers that give depth to each stroke. it captures movement and emotion through dynamic lighting, with light tones on a gray background, with a fashion photography-inspired, epic composition and hyper-realistic details. --ar 3:4 --profile cliry79

Chrome Alien Punk Ballerina Fashion Editorial

A futuristic alien with sharp horns sprouting from its head, clad in a full-body reflective chrome suit. The suit glows fu-turistically with a liquid metal surf…

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Leather Emblem Stitched on Fabric Render

Utra-realstic 3D rendering of the submitted logo, recreated identically as a leather ambler stitched directly onto white fabric. The ambiam perfactly follows the exact shape and proportions of the submitted logo, without distortion. The ather surface color matches the original logo colors, with a fine-grain leather texture, smooth matte finish, and subtle ratural creases. Around the amblem, there are detalocistitches that folow the logos cutline, seamlessiy integrating with the fabric: The white fabric beckground displays a textile testure with realistic fibers and soft folds, emphasizing the stitching offect. The ighting highlights both the lauthor tasture and the stitching. with subtle shadows to create depth Premium product photography style, minimalist and clean composition, extreme detall, photorealistic, 3:4 aspect ratio

Nordic Forest Bakery Brand Ecosystem Flat Lay

A massive, ultra-detailed brand ecosystem flat lay. Brand: Marvin Studio, Industry: Artisan Bakery & Coffee, Visual theme: Nordic Forest, Minimalist, Warm. Item…

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Studio Fashion Editorial With Totoro and No-Face

A hyperrealistic, editorial fashion photograph in a studio setting. A real human model with a natural, confident expression and a preserved face stands between…

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Industrial Design Packaging Illustration Sheet

prompt: Using the attached image, create an illustration sheet of professional industrial design packaging for the package (PACKAGE TYPE). A centered heroic 3D rendering with realistic materials, soft studio lighting and commercial quality finishes. Surrounding technical views: front, side, top, bottom, oblique perspective and flat position. Include sketches of the frame structure, crease lines, seam details, and size arrows in millimeters. Show materials and finishes (matte, glossy print, plastic, paper, glass, etc.) in handwritten annotations. Add color swatches, realistic product illustrations, and subtle shadows. Clean sketchbook background, realistic rendering + pencil sketch style, modern design, ultra-detailed, portfolio ready., parameters: cfg_scale: 7.5, steps: 35, sampler: DPM++, resolution: width: 1024, height: 1280 , aspect_ratio: 3:4 , style: rendering: realistic, lighting: soft studio, finish: commercial quality, sketch_style: pencil sketch, detail_level: ultra-detailed, presentation: portfolio ready , annotations: materials: matte, glossy print, plastic, paper, glass, measurements: size arrows in millimeters, technical_views: front, side, top, bottom, oblique perspective, flat position, extras: color swatches, realistic product illustrations, subtle shadows

Y2K Japanese Bootleg Movie Poster Harajuku Streetwear Art

Act as a Senior Vector Graphic Designer specializing in Y2K Japanese streetwear poster art. Your aesthetic universe: Tokyo bootleg culture, early 2000s remix zines, retro-futuristic sticker posters, Harajuku streetwear graphics. INPUT VARIABLES — resolve before executing: MOVIE TITLE — the main title text, split across two lines if needed SUBTITLE / TAGLINE — secondary brushstroke-style script line REFERENCE PHOTO — a portrait/face image to be treated with split duotone halftone effect PRIMARY COLOR — dominant background color (e.g. signal red) ACCENT COLOR 1 — warm saturated pop color for title text (e.g. electric yellow) ACCENT COLOR 2 — cool secondary duotone tone (e.g. deep violet/purple) CREDITS LINE — small uppercase cast/crew text at the bottom PHASE 1 — CANVAS Portrait format (3:4 ratio). Background: flat solid PRIMARY COLOR. No texture, no gradient, completely clean. PHASE 2 — CENTRAL IMAGE Place REFERENCE PHOTO as a large centered portrait cropped from chest up, framed with a thin flat border. Apply a split duotone halftone effect: left half of face tinted in ACCENT COLOR 1 right half in ACCENT COLOR 2. The halftone dot pattern must be visible and graphic — flat, no blur, no photographic rendering. The image feels like a screen-printed bootleg. PHASE 3 — LETTERING MOVIE TITLE LINE 1 — massive bold condensed display type, full poster width, flat ACCENT COLOR 1 fill, thick dark extrusion offset down-right. Dominates the top of the poster. MOVIE TITLE LINE 2 — large brushstroke handwritten script style, flat white, bold dark outline, overlapping the portrait frame creating z-depth — sits both in front of the photo and behind the top title. PHASE 4 — Y2K SIGNATURE ELEMENTS Infinity symbols (∞) flanking the portrait frame, flat ACCENT COLOR 1 4-point crosshair stars — thin elegant accent marks scattered at key intersections Loose scribble strokes — energetic hand-drawn loops in ACCENT COLOR 2 and pink/magenta at bottom corners, like marker graffiti Side column micro-text — two narrow columns of lorem-style body text in tiny white type flanking the portrait, left and right — creates editorial zine structure Bottom logo bar — 2–3 fictional brand stamps in bold caps + a globe icon ACCENT COLOR 1 CREDITS LINE in small tight uppercase tracking across the very bottom TECH SPECS Flat vector only. Zero gradients, zero drop shadows, zero blur. Maximum 5 colors: PRIMARY ACCENT 1 ACCENT 2 white, near-black. All outlines thick and clean. The poster must feel like a collectible bootleg silkscreen print — part movie poster, part Harajuku sticker sheet, part underground zine cover. Mood: a Tokyo graphic designer obsessed with this film stayed up all night and made the most unhinged fan poster ever printed.

Psychological Horror Torn Paper Collage Editorial Movie Poster

Psychological Horror Collage Poster — Torn Paper Editorial Style Act as a Senior Graphic Designer specializing in psychological horror editorial design. Your aesthetic universe: torn newspaper collage, halftone print culture, 90s underground zine horror, American Psycho-era corporate dread. INPUT VARIABLES — resolve before executing: MOVIE TITLE LINE 1 — first word(s) of title MOVIE TITLE LINE 2 — second word(s) of title MAIN PORTRAIT — large central face photo, serious/intense expression SIDE PHOTO 1 — smaller portrait, neutral expression SIDE PHOTO 2 — smaller portrait, holding an object SIDE PHOTO 3 — smaller portrait, extreme emotional expression (screaming/shocked) GROUP PHOTO — wide shot of multiple people, bottom right DIARY TEXT — a short first-person psychological monologue, 4–6 lines TAGLINE — bold bottom line (e.g. THE SILENCE IS DEAFENING...) ACCENT COLOR — dominant color used for title, background blocks, and tinted photos (e.g. deep crimson red) ATTRIBUTION — small credit line (e.g. ...by head ai) PHASE 1 — CANVAS Portrait format (3:4). Background: aged off-white/cream paper texture with rough torn edges on all four sides — looks like a real sheet ripped from something larger. No clean borders. The paper must feel physical and degraded. PHASE 2 — TITLE BLOCK MOVIE TITLE LINE 1 and MOVIE TITLE LINE 2 stacked at the top — massive bold serif type, deep ACCENT COLOR fill, no outline, no extrusion. The type is heavy, authoritative, slightly compressed. It dominates the top third of the poster completely. PHASE 3 — CENTRAL PORTRAIT MAIN PORTRAIT placed center, large, from chest up. Apply halftone dot grain — black and white, high contrast, visible dot pattern like a newspaper print. No color tinting on the main portrait — it stays stark monochrome. The figure should feel cold and dissociated. PHASE 4 — SIDE PHOTO GRID Four smaller photos arranged around the central portrait — two left column, two right column. Each photo is set inside a flat ACCENT COLOR rectangle background. Apply the same halftone treatment as the main portrait. The photos are slightly irregular in size and alignment — like they were cut and placed by hand. One photo (SIDE PHOTO 2) should show the subject holding a prop or object. One photo (SIDE PHOTO 3) should show an extreme expression. PHASE 5 — DIARY TEXT BLOCK Left side of poster, between the side photos. DIARY TEXT in bold uppercase sans-serif, tight leading, left-aligned. Small ATTRIBUTION line in italic below it. This text block feels like it was typed on a typewriter and pasted in. PHASE 6 — BOTTOM ELEMENTS TAGLINE across the very bottom — bold wide uppercase serif, deep ACCENT COLOR, large, confident. Below the torn paper edge, as if printed on the backing. Feels like a newspaper headline. PHASE 7 — TORN PAPER DETAILS The entire poster sits as a torn paper sheet. The edges must be rough and organic — not a clean rectangle. Ragged tears especially at the top and bottom. Subtle paper grain across the whole surface. The torn paper effect is the most important texture element — without it the poster loses its entire identity. TECH SPECS 3-color palette maximum: ACCENT COLOR, near-black, aged cream/off-white. All photos treated as halftone — no clean photography. No gradients. No drop shadows. No digital glow. The poster must feel like it was physically printed, cut, and assembled — not designed on a screen. Rough, editorial, tactile. Mood: a forensic investigator pinned this together on a corkboard at 3am and it accidentally became the most disturbing movie poster ever made.

Underground Noir 70s Exploitation Cinema Halftone Movie Poster

Act as a Senior Graphic Designer specializing in underground noir poster design. Your aesthetic universe: 70s exploitation cinema, punk zine print culture, high…

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Pop-Art Grindhouse Revenge Cinema Comic Book Movie Poster

Act as a Senior Graphic Designer specializing in pop-art action cinema poster design. Your aesthetic universe: 70s exploitation grindhouse, comic book print cul…

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FMCG Product Packaging Technical Industrial Design Spec Sheet

Act as a Senior Industrial/Packaging Designer specializing in technical product presentation sheets. Your aesthetic universe: professional packaging dielines, FMCG product design documentation, industrial design sketchbook layouts, technical manufacturing specs. INPUT VARIABLES — resolve before executing: BRAND NAME — company/manufacturer name (e.g. ORION) PRODUCT NAME — product name in large display type (e.g. Choco·Pie) VARIANT NAME — flavor/variant sub-label (e.g. Chocochip) PRODUCT PHOTO 1 — hero product shot, multiple units styled (for front face) PRODUCT PHOTO 2 — single product unit close-up (for oblique/detail views) PRODUCT PHOTO 3 — product cross-section or ingredient shot (e.g. sliced showing filling) INGREDIENT PHOTO — key flavor ingredient isolated (e.g. orange slice, strawberry) BOX WIDTH — e.g. 260 mm BOX HEIGHT — e.g. 280 mm BOX DEPTH — e.g. 55 mm UNIT COUNT — e.g. x12 NET WEIGHT — e.g. 360g COLOR PALETTE — 4–5 brand colors as swatches (e.g. navy, red, orange, brown, cream) PROJECT TITLE — bottom right label (e.g. ORION CHOCO-PIE PACKAGING DESIGN) PROJECT TYPE — bottom right sub-label (e.g. INDUSTRIAL DESIGN SHEET) MATERIAL NOTE 1 — e.g. Matte Laminated Paperboard MATERIAL NOTE 2 — e.g. Glossy UV Spot Varnish MATERIAL NOTE 3 — e.g. Corrugated Cardboard Insert MATERIAL NOTE 4 — e.g. Mealistic Paperboard MATERIAL NOTE 5 — e.g. Cardstock and Adhesive Seams PHASE 1 — CANVAS Portrait format (3:4). Background: light neutral grey — the color of a real sketchbook or drafting paper. At the very top: a spiral binding strip — rendered as a realistic row of metal coil rings across the full width, like a professional sketchpad. This binding is the first thing visible and establishes the entire presentation as a physical design document. PHASE 2 — BOX FACE DESIGNS Design the complete packaging artwork that will wrap all box faces. Use BRAND NAME, PRODUCT NAME, VARIANT NAME, PRODUCT PHOTO 1, INGREDIENT PHOTO, COLOR PALETTE. The box face should feel like a real retail product — bold brand hierarchy, appetite-appeal food photography, clean structured layout. This artwork is then applied consistently across all views below. PHASE 3 — ORTHOGRAPHIC VIEWS (top section) Arrange four flat technical views in a clean grid with dimension annotations: FRONT VIEW — full front face of box, largest panel, bottom left of grid. Annotated with BOX WIDTH (horizontal arrow above) and BOX HEIGHT (vertical arrow left side) SIDE VIEW 1 — narrow side panel, center of grid. Annotated with BOX DEPTH (horizontal arrow above) TOP VIEW — top face of box, top right of grid. Annotated with width and depth dimensions BOTTOM VIEW — small flat bottom face, right side. Annotated with depth dimension All dimension lines are thin black with arrow endpoints. Labels in small clean sans-serif. View titles in small uppercase below each panel. PHASE 4 — HERO 3D RENDER (center) One large photorealistic 3D perspective render of the assembled box — slightly angled, showing front face and one side face simultaneously. Soft neutral shadow beneath. This is the centerpiece of the sheet — larger than any single orthographic view. Material callout arrows pointing to specific areas with MATERIAL NOTE 1, MATERIAL NOTE 2, MATERIAL NOTE 3, MATERIAL NOTE 4 labels in small handwritten-style or clean serif annotation type. PHASE 5 — ADDITIONAL VIEWS (mid section) Arranged around the hero render: SIDE VIEW 1 — tall narrow vertical panel, left side, with 20mm depth annotation SIDE VIEW 2 — same narrow panel, right side OBLIQUE PERSPECTIVE — small 3/4 angle render of box, bottom right, labeled OBLIQUE PERSPECTIVE PRODUCT CLOSE-UP — PRODUCT PHOTO 2 and PRODUCT PHOTO 3 showing product detail below oblique view PHASE 6 — COLOR PALETTE SWATCHES Two rows of color swatches — one row after the orthographic views section, one row after the dieline section. Each swatch is a filled circle, colors taken from COLOR PALETTE. No labels needed — just the circles in a horizontal row. PHASE 7 — DIELINE / FLAT POSITION Bottom left quadrant: the complete box dieline — all faces unfolded flat showing the full packaging layout. Dashed fold lines, solid cut lines. All faces labeled with the full packaging artwork applied. Dimension annotations: BOX HEIGHT vertical arrow on left side, bottom width measurements. Label below: FLAT POSITION in small uppercase. MATERIAL NOTE 5 callout arrow pointing to seam area. PHASE 8 — PROJECT ID BLOCK Bottom right corner: a clean rectangular project identification box with thin black border. Contains: PROJECT TITLE in bold uppercase PROJECT: label followed by PROJECT TYPE in bold All in dark type on white or light background. Feels like a title block on an engineering drawing. TECH SPECS The entire sheet must read as a professional industrial design document — not a marketing presentation. Dimension lines must be precise and consistent. All views must be correctly proportioned relative to each other. The 3D render is the only element with shadow/lighting — everything else is flat. Font system: one clean sans-serif for all annotations and labels, one bold display font for the product name on packaging. The spiral binding at top is non-negotiable — it defines the entire sketchbook format. The sheet must feel like something a packaging engineer would hand to a print production team. Mood: a senior packaging designer at a major FMCG agency spent a full day perfecting this spec sheet — every measurement is intentional, every view tells the factory exactly what to print and fold.

Tokyo Cyberpunk Kanji Glitch Editorial Fashion Magazine Cover

Act as a Senior Art Director specializing in futuristic East Asian editorial design. Your aesthetic universe: Tokyo cyberpunk street culture, Chinese tech-fashi…

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Oatmeal Cookie Cobalt Blue Box Editorial Catalog Product Story

A minimalist product story featuring a chunky oatmeal cookie and a small stack of mini cookies, presented in a matte cobalt-blue cube box with a crisp white lid, subtle fictional doodle mascot (no text), and a second matching sleeve box slightly ajar. A hand in a textured blue knit sleeve gently pulls back a white parchment wrap, revealing melted chocolate chunks; another hand with blue nail polish dips a cookie into a plain white paper cup with a tiny abstract icon. Set on a clean light-gray studio sweep with soft shadows and lots of negative space; a simple round white plate, a small wooden board, and a folded paper bag with a circular icon add variety. Airy, high-key atmosphere, background falls into a delicate blur, like an editorial catalog spread. Bright directional light from upper left, soft but defined, creating crisp edge shadows and subtle specular highlights on the box corners and glossy chocolate. Cool-white balance with gentle contrast; paper fibers and matte cardboard texture stay tactile. Style: Ultra-realistic, cinematic, 8K. Lighting: high-key soft directional. Camera: 50mm, top-down hero + close editorial crops, shallow DOF, aspect ratio 3:4. Emotion: clean, playful, premium. Setting: modern studio product layout.

Pixar Style Movie Characters Bathroom Mirror Selfie 3D CGI Render

HIGH-QUALITY STYLIZED 3D CGI PIXAR-STYLE RENDER, VERTICAL 3:4 COMPOSITION, THE MOST ICONIC CHARACTERS FROM MOVIE/SHOW CAPTURED AS A CHAOTIC AND JOYFUL BATHROOM MIRROR SELFIE; THE MOST RECOGNIZABLE CHARACTER HOLDS A LARGE VINTAGE CAMERA UP TOWARD THE MIRROR, THE REMAINING CHARACTERS SQUEEZED TIGHTLY INTO THE FRAME AROUND THEM, EACH SHOWING THEIR MOST SIGNATURE EXPRESSION OR POSE; EVERYONE WEARING THEIR MOST ICONIC COSTUMES AND OUTFITS FAITHFUL TO THE SOURCE MATERIAL; ALL CRAMMED TOGETHER CREATING CLASSIC CROWDED SELFIE ENERGY; FACIAL PROPORTIONS GENTLY STYLIZED IN DISNEY/PIXAR ANIMATION STYLE WITH EXPRESSIVE EYES WHILE FAITHFULLY PRESERVING EACH CHARACTERS MOST RECOGNIZABLE TRAITS, HAIRSTYLES AND COSTUMES FROM MOVIE/SHOW; THE BATHROOM MIRROR HAS REALISTIC TOOTHPASTE SPLATTERS AND SUBTLE SMUDGES; THE REFLECTION SHOWS BOLD BLACK PIXAR-STYLE LETTERING READING MOVIE/SHOW; THE BATHROOM BACKGROUND IS STYLED TO MATCH THE WORLD OF SHOW/MOVIE WITH THEMATIC PROPS AND EASTER EGGS RELEVANT TO MOVIE/SHOW PLACED NATURALLY AROUND THE SCENE; LIGHTING COMBINES SOFAMENT BATHROOM LIGHTING WITH A BRIGHT CAMERA FLASH REFLECTING IN THE MIRROR CREATING GENTLE SPECULAR HIGHLIGHTS; WARM PIXAR-STYLE COLOR GRADING FAITHFUL TO THE VISUAL TONE OF MOVIE/SHOW, SMOOTH HIGHLIGHT ROLLOFF, REFINED DISNEY/PIXAR CINEMATIC CHARACTER SHADING, ULTRA-DETAILED 4K RENDER, NO WATERMARK

Floating Cardamom Bun Vanilla Glaze Cream Studio Cinematic Food Shot

Product from the reference image. A single golden cardamom bun floats mid-air, centered, with a thick vanilla glaze pooling on top and gently dripping down one side; crisp laminated layers visible, tiny sugar crystals sparkling; a ring of pastry crumbs and chopped toasted nuts suspended around it, frozen in time; no logos, no text, clean artisanal look, mouthwatering warmth. Minimal studio set with a warm cream seamless backdrop and a soft beige surface far below, both slightly out of focus; a faint dusting of crumbs near the bottom edge; subtle airborne flour haze adds depth; calm, airy atmosphere with lots of negative space and a premium editorial feel. Soft directional key light from upper left, warm daylight tone, creating smooth highlights on the glaze and gentle shadows under the bun; delicate rim bounce from the right to separate the pastry from the background; specular glints on crumbs, overall low-contrast cinematic softness. Style: Ultra-realistic, cinematic, 8K. Lighting: soft warm key + subtle bounce. Camera: 85mm macro, shallow DOF, centered hero shot, 3:4 vertical. Emotion: serene, indulgent. Setting: minimal cream studio with floating crumbs.

Sourdough Cheese Pull Cobalt Blue Studio Cinematic Food Editorial

A toasted sourdough cheese melt split into two halves mid-pull, a glossy ribbon of molten mozzarella and cheddar stretching between them, crisp golden crust wit…

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Premium Product Campaign Visual Storytelling Grid

Create a 3×3 grid in 3:4 aspect ratio designed as a visual storytelling sequence for a premium commercial campaign. Each frame acts as a chapter in a cohesive visual story centered on the uploaded product. Grid Concepts: Introduction: iconic hero reveal Discovery: macro detail exploration Energy: motion through liquid or particles Balance: calm sculptural composition Elevation: floating innovation shot Sensation: tactile close-up Identity: bold color-driven scene Essence: abstract ingredient interpretation Finale: surreal, cinematic brand moment Visual Rules: Product accuracy is absolute across all frames Visual continuity in lighting, scale, and perspective Lighting & Style: Cinematic studio lighting Editorial polish, subtle drama Premium commercial realism Overall Feel: Refined, narrative-driven, aspirational Designed for full-funnel campaigns and brand worlds