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Brand Futuristic object
3DPhoto

Brand Futuristic object

BRAND NAME or LOGO IMAGE: A high-end, glossy concept art magazine editorial photograph of a unique, unexpected functional object conceptualized and designed by the brand. 1. The Concept & Object (AI Invention): Based on the design philosophy, heritage, and material vocabulary of the specified brand, the AI must invent a novel utility product (NOT standard clothing, shoes, or bags). Examples could be home goods, tech accessories, tools, or sporting equipment, reinterpretated through the brands lens. The object should feel sculptural yet functional. 2. Materials & Details (Hyper-Premium): The object is constructed from ultra-premium, highly tactile materials characteristic of the brand (e.g., patinated exotic leathers, brushed aerospace-grade titanium, sculpted matte ceramics, molded carbon fiber, or technical high-fashion textiles). Every detail is hyper-realistic: visible stitching, microscopic material grain, precision engravings, and complex texture contrasts. 3. Photography & Lighting (Cinematic Studio): Shot on a medium format Phase One camera with a 100mm macro lens. Extremely shallow depth of field, with sharp focus on the hero details of the object and a creamy, smooth bokeh background. The lighting is sophisticated studio softbox lighting: gentle, enveloping fill light with precise rim lighting to accentuate contours and material textures. 4. Environment: A seamless, impeccably clean studio cyclorama background in a pure, ultra-light pastel tone (e.g., desaturated mint, pale blush, or off-white), free of shadows. 5. Layout & UI Elements (Strict Placement): - Bottom Right Corner: A small, understated, monochrome gray logo of the brand. - Bottom Left Corner: Small, minimalist monochrome gray text describing the invented product. The font style looks like Manrope Regular with very tight tracking (kerning) and balanced line spacing. Example format: CONCEPT STUDY: AI inserts invented product name. MATERIAL: AI inserts main materials. SS25.

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Raw Collage Caricature Portrait
StickerPhoto

Raw Collage Caricature Portrait

CHARACTER NAME or IMAGE. Act as a radical contemporary mixed-media artist creating a raw, aggressive urban collage portrait. 1. THE SUBJECT (AGGRESSIVE COLLAGE & EMOTION): Generate a hyper-realistic Big-Head Caricature of PERSON / CHARACTER constructed via aggressive photo-montage. Expression (High Energy): The subject must have a visceral, highly charged emotional expression (e.g., roaring laughter, a primal scream, an intensely focused snarl, a manic wide-eyed stare). No passive or neutral faces. The Raw Cut Technique (CRITICAL): The face is NOT a seamless photo. It is a crude assembly of mismatched parts torn from different sources. You must show rough, jagged white paper tear lines and seams where the eyes, mouth, and forehead pieces overlap and are pasted together. The edges must look analog, handmade, and imperfect, like torn magazine pages. 2. THE GRAFFITI EXPLOSION (SMART CONTENT & DYNAMIC PLACEMENT): Over the collage, apply wild, hand-drawn Neon Marker Scribbles. Color & Content Logic (Automatic): Identify the signature color AND 2-3 iconic symbols/logos associated with PERSON / CHARACTER . Draw these specific symbols crudely in the neon color. PLACEMENT (BREAKING BOUNDARIES): The scribble elements must NOT be contained within the face. They must explode dynamically outward, breaking the silhouette of the head and extending wildly into the surrounding white negative space. 3. PHOTOGRAPHY, LIGHTING & TEXTURE: Style: Gritty Street Art meets High-End Photography. Texture: Emphasize the tactile mix of materials: the glossy texture of the photo paper, the fibrous texture of the torn white edges, and the waxy texture of the neon marker. Lighting: Harsh, high-contrast studio lighting that casts hard shadows, emphasizing the layered paper cuts. 4. COMPOSITION: Framing: The photographic head is centered, but the composition feels chaotic due to the exploding scribbles. Background: Pure White (#FFFFFF). Clean, flat, zero texture, providing maximum contrast for the messy collage.

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Fashion E-Commerce Product Infographic
BrandingPhoto

Fashion E-Commerce Product Infographic

A professional fashion e-commerce infographic for the brand BRAND NAME or LOGO IMAGE. The layout is divided: on the right, a high-quality studio portrait of a woman with long, wavy brunette hair wearing thin-framed silver glasses, a crisp white oversized cotton shirt, and cream-colored high-waisted trousers. Her face is soft and elegant, looking directly at the camera. On the left, a clean white vertical sidebar containing two square close-up inset photos of the shirts collar and pleated cuff details. The text in the sidebar is in English: at the top BRAND NAME or LOGO IMAGE and Oversized Shirt - Extended Length, in the middle Elegant design will highlight your sophistication and style and Essential wardrobe staple made from high-quality materials. At the bottom, a Sizes section with XS, S, M, L in boxes, and a Composition section showing 97% Cotton and 3% Elastane. Soft studio lighting, minimalist aesthetic, high resolution, fashion magazine style. ​Key Elements for Success ​If you are using this in another AI generator, keep these levers in mind to get the best result: ​Layout Keywords: Use terms like UI/UX layout, product infographic, and split composition to ensure the text stays on one side and the model on the other. ​Character Consistency: Mentioning the thin-framed glasses and wavy brunette hair is crucial to maintaining the likeness from your second reference photo. ​Typography: AI can be finicky with long sentences. If the text comes out garbled, you may need to use a graphic design tool (like Canva or Photoshop) to overlay the final English text onto the generated image.

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Mixed-Media Brand Campaign Art Direction
PosterPhoto

Mixed-Media Brand Campaign Art Direction

Act as a Mixed-Media Campaign Art Director. Your specialty: combining studio photography cutouts with hand-drawn 2D illustration where the real human and the drawn object physically interact — touching, holding, standing on, leaning against, or using the illustrated element as if it truly exists in their space. PHASE 1: CANVAS & COLOR SYSTEM Format: 1:1 square canvas. Base: single flat saturated color HERO COLOR. No gradients. No texture. Pure chromatic field. Overlay: 3–4 organic amoeba blob shapes in the same HERO COLOR but 20% darker in value. Smooth edges, irregular silhouettes, scattered asymmetrically. Some bleeding off-frame. Hand-painted feel, clean execution. PHASE 2: AUTONOMOUS OBJECT SELECTION BEFORE staging the scene, the AI must first make two autonomous decisions: DECISION 1 — SELECT THE OBJECT: Analyze BRAND NAME and identify ONE iconic physical object from this framework: — What is the single most recognizable product or artifact this brand has ever made? — What object do fans of this brand collect, use daily, or photograph? — What prop has defined this brands visual identity across decades? Do NOT choose animals. Do NOT choose logos. Choose a real, large, tangible object that can physically occupy space next to a person. DECISION 2 — SELECT THE INTERACTION: Based on the chosen object, determine the most natural and visually dynamic way the real model can directly interact with the drawn object. Interaction must be: ✓ Physical and direct — hands touching, feet on, body leaning, arms around ✓ Immediately readable — the relationship between person and object is understood in under 2 seconds ✓ Scaled correctly — the object must be large enough to interact with at human scale ✓ Active, not passive — the model is DOING something with the object, not just standing next to it INTERACTION TYPE EXAMPLES (AI selects the most brand-appropriate): · HOLDING: models real hands grip the illustrated object — cup, camera, trophy, bottle, bag · WEARING/USING: models real body wears or uses the object — sitting on a chair, wearing an illustrated hat, holding an illustrated product to their face · STANDING ON: models real feet are planted on top of the illustrated object — skateboard, surfboard, podium, giant sneaker · RIDING/LEANING: models real body leans against or drapes over the illustrated object — car hood, shopping cart, giant product silhouette · EMERGING FROM: model appears to step out of or through the illustrated object — bursting through a giant sneaker box, rising from an illustrated cup PHASE 3: STAGING THE SCENE Once object and interaction are selected, stage the full scene: MODEL: Single model age 18–26, clean cutout, zero fringing. Pose is determined by the chosen interaction — the body position must make the interaction feel natural and physically believable. Wardrobe: BRAND NAMEs most iconic apparel in HERO COLOR monochromatic palette. ILLUSTRATED OBJECT: Pure white (#FFFFFF) flat 2D illustration. Brush-pen marker line quality, 3–5px weight. Slightly imperfect organic edges — hand-drawn feel, not vector-perfect. NO shading. NO gradients. Flat white fill only. SCALE RULE — CRITICAL: The illustrated object must be LARGE. Minimum size: 40% of canvas height. The object should feel monumental — oversized relative to real-world scale is acceptable and encouraged. A coffee cup can be waist-height. A sneaker can be as tall as the model. Large scale = better readability = stronger visual impact. DEPTH LAYERING — CRITICAL:The object must exist on multiple z-layers: — Parts of the object sit BEHIND the model — Parts of the object come IN FRONT of the model — The models real hands/feet make contact at the intersection point This layering is what makes the scene feel integrated rather than collaged. BRAND STAMP: One small BRAND NAME logo mark appears on the objects surface — naturally embedded as if printed, engraved, or stitched. Rendered in HERO COLOR darker variant. Subtle, not dominant. PHASE 4: SUPPORTING ILLUSTRATION SYSTEM All supporting elements: white, flat, brush-pen line style. Same visual language as the hero object. LOGO MARKS: BRAND NAME primary icon in white: — Large (upper-left corner, ~15% canvas width) — Medium (opposite corner, ~10% canvas width) IMPACT MARKERS: 2–3 manga-style exclamation dash clusters near the point of interaction between model and object — where hands grip, where feet land, where bodies touch. This emphasizes the physical connection. MOTION LINES: 2–4 curved speed lines radiating from the object or the models most active body part. Taper at ends. Cross behind and in front of the model for depth. GROUND EFFECT: At the base of the scene: white illustrated ground interaction — sparkle stars, short speed dashes, or object-specific effect (splash if cup, dust clouds if sneaker landing, wheel tracks if skateboard). AMBIENT SQUIGGLES: 1–2 loose organic white lines floating near the models torso — visual rhythm connecting the photographic and illustrated layers. PHASE 5: LIGHTING Studio strobe, high-key, even and clean. 5500K neutral. No dramatic shadows on model. Soft contact shadow at models feet (opacity 15%). The photography reads as natural and real against the graphic illustrated environment. TECH SPECS Aesthetic: mixed media — real photograph integrated with hand-drawn 2D illustration. Color count: 3 maximum — HERO COLOR light, HERO COLOR dark blobs, white illustration. Photography skin tones and fabric colors are the only additional color exception. Illustration style: Y2K comic energy, Japanese streetwear magazine, brush marker. Composition: asymmetric and dynamic. The interaction point between model and object is the visual center of gravity — everything else orbits around it. No text. No wordmarks. Logo icon only. Mood: the model is not posing WITH the object — the model is IN THE MIDDLE of using it. Caught mid-action. Alive.

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Polished Steel Peony Product Photography
LogoPhoto

Polished Steel Peony Product Photography

BRAND NAME Act as a Senior Editorial Art Director and Campaign Photographer specializing in high-impact brand posters that combine action photography with bold graphic design. Your reference universe: premium brand advertising that works equally as a social post, a magazine page, and a large-format outdoor print. BRAND INTELLIGENCE SYSTEM Before executing any phase, run a full autonomous brand analysis of BRAND NAME and resolve these parameters: (1) BRAND COLOR — the single most dominant saturated color from BRAND NAMEs identity used for the lower graphic zone and borders, (2) SECONDARY COLOR — the color for all typography and logo in the graphic zone — autonomously determine if this should be white, cream, black, or a brand-specific tone that creates maximum contrast against BRAND COLOR, (3) LOGO MARK — BRAND NAMEs primary icon or wordmark that will dominate the graphic zone, (4) HERO SUBJECT — the single most iconic product, object, or visual associated with BRAND NAME that will be photographed, (5) CAMPAIGN LINE — the brands most recognized slogan or an autonomously generated line capturing BRAND NAMEs core attitude in 3–6 words, (6) PHOTO ENVIRONMENT — the most iconic real-world context for shooting BRAND NAMEs hero subject, (7) VERTICAL TEXT CONTENT — two short contextual strings relevant to BRAND NAME for the left and right side margins. All parameters must be resolved before phase 1 begins. PHASE 1: CANVAS & FORMAT Vertical format, 4:5 ratio. The entire poster is enclosed in a thin border of 8–12px in BRAND COLOR framing everything like a collectible print. The canvas divides into two distinct zones: the upper PHOTO ZONE occupying the top 58–62% of the canvas, and the lower GRAPHIC ZONE occupying the remaining 38–42%. The division between zones is a clean hard horizontal cut — no fade, no blend, no transition. The GRAPHIC ZONE is filled entirely with BRAND COLOR as a flat solid field. PHASE 2: PHOTO ZONE The PHOTO ZONE contains a single high-energy action photograph of the HERO SUBJECT resolved in the brand intelligence system. Camera angle: elevated and dynamic — shoot from above at 30–45 degrees looking down, or from a low dramatic angle looking up depending on what creates the most powerful composition. Never shoot at neutral eye level — the angle must create tension and visual energy. The photograph fills the entire PHOTO ZONE edge to edge with no padding. The environment must be the PHOTO ENVIRONMENT resolved in the brand intelligence system — instantly recognizable as belonging to BRAND NAMEs world. BREAKOUT ELEMENT — CRITICAL: the lower portion of the hero subject physically breaks out of the PHOTO ZONE boundary and enters the GRAPHIC ZONE below — legs, wheels, a product base, a dripping element, or the bottom of an object crosses the hard horizontal cut line and overlaps into the BRAND COLOR zone. This breakout element sits on top of the graphic zone casting a subtle soft shadow onto the flat color beneath. The breakout must be significant — at least 20–30% of the subjects total height existing below the photo boundary. This is the single most important compositional device in the entire poster. PHASE 3: GRAPHIC ZONE The lower zone is a flat solid BRAND COLOR field. All elements within it are rendered in SECONDARY COLOR only — no photographs, no gradients, no textures, pure graphic design. LOGO: BRAND NAMEs primary logo mark centered horizontally in the upper portion of the graphic zone directly below the breakout entry point, spanning 40–55% of canvas width — large and dominant, not subtle. CAMPAIGN LINE: directly below the logo in ultra-bold condensed all-caps typography, large enough to read from across a room, tight letter spacing. The logo and campaign line together form the visual center of gravity of the graphic zone. VERTICAL LEFT TEXT: along the left edge rotated 90 degrees counter-clockwise reading bottom to top — a short brand or product descriptor in SECONDARY COLOR at small size. VERTICAL RIGHT TEXT: along the right edge rotated 90 degrees clockwise reading top to bottom — the hero subjects full name or descriptor in SECONDARY COLOR at small size. BOTTOM CREDIT: centered at the very bottom in fine-print size — a collection name, season, or campaign label. PHASE 4: PHOTOGRAPHY DIRECTION Capture the hero subject at maximum energy — the precise frame where movement, tension, or beauty peaks. For a person: mid-motion at full commitment to the action. For a product: the most dramatic angle revealing form, material, and identity simultaneously. For food: the moment of pour, cut, steam, or impact. For automotive: speed blur, drift, or heroic three-quarter angle. Lighting: natural or mixed, high contrast, rich shadows, no flat studio lighting — editorial and alive, shot on location. Color grade: punchy, saturated, filmic — lifted blacks, rich midtones, preserved highlights. The photograph must feel like it belongs in a premium lifestyle magazine with a strong point of view. TECH SPECS Lens: 35mm or 50mm for environmental context, or 85mm for compressed dramatic framing. Depth of field: subject sharp, background contextual at f/4 to f/8. Shutter: fast enough to freeze peak action with zero motion blur on subject. Two-zone structure is rigid — photo above, flat graphic below, hard cut between them, only the breakout subject crosses zones. Color discipline: BRAND COLOR dominates the graphic zone completely, SECONDARY COLOR handles all typography and logo, the photograph introduces its own natural palette as the only exception. Typography: condensed, bold, authoritative — no decorative fonts. Mood: Nike campaign poster × Hypebeast editorial × premium brand advertising.

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Country Infographic Editorial Poster
PosterPhoto

Country Infographic Editorial Poster

Ultra-clean modern country infographic poster (1080x1080), premium editorial layout meets lifestyle travel photography. Showcase Country as the hero visual in the center: a slightly angled 3D map cutout / glossy paper-cut map silhouette with subtle shadow, with a small flag pin marker on the capital city. Add a soft natural studio lighting feel, gentle gradient + minimal texture background for an upscale magazine look. Around the hero map, arrange information like a recipe infographic—dynamic, floating panels and clusters, not restricted to top-down. Clear hierarchy: hero map > key stats badges > cities/provinces > culture/foods > tips. SECTION 1 — Quick Facts (clean glassmorphism badges near the hero): - Capital: CAPITAL - Population: POPULATION - Currency: CURRENCY - Language(s): LANGUAGES - Time zone: TIMEZONE - Best time to visit: BEST SEASON Display as modern rounded pills/bubbles with accent color highlights. SECTION 2 — Provinces/States/Regions (ingredients-style clusters): List NUMBER provinces/regions with mini icons/mini map segments or simple pictograms. Example: PROVINCE 1, PROVINCE 2, PROVINCE 3... Each item includes a small icon (mountains, river, desert, forest, coastline) and one short label (e.g., “coastal”, “historic”, “wine region”). Arrange in curved flows connected with thin lines to the map. SECTION 3 — Major Cities (connected pin points): Show 5–8 key cities with small pin markers on/near the map and clean labels: City 1, City 2, City 3... Use lines/arrows from labels to map pins, avoiding clutter. SECTION 4 — Signature Foods (recipe vibe): Show 4–6 famous foods of COUNTRY with small tasty mini illustrations or photo-style cutouts: Food 1, Food 2, Food 3... Add short descriptors (spicy, street food, dessert, grilled). Keep vibrant natural food colors. SECTION 5 — Culture & Highlights (editorial callouts): Include icons and 1-line notes for: - Famous festival: FESTIVAL - Traditional music/dance: CULTURE - Landmark(s): LANDMARKS - Nature highlight: NATURE Use clean vector icons and minimal text. SECTION 6 — Travel Tips (step-like numbered panels): Show 4–6 numbered “tips” panels arranged around the hero map with arrows showing flow: 1) Tip 1 2) Tip 2 3) Tip 3 Add small icons (plane, train, hotel, safety, budget, camera, SIM card). Use glassmorphism panels with soft gradients and subtle drop shadows. Typography & Style: Modern sans-serif typography, high readability, strong grid alignment, airy negative space, subtle shadows, crisp vector icons, accent color palette inspired by COUNTRY flag (tasteful, not overwhelming). Editorial, premium, ultra-clean, social-feed optimized. Output requirements: Ultra-crisp, no watermark, no logo, no extra text beyond the provided labels, balanced spacing, high contrast readability, 1080×1080.

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Cyberpunk Anime Magazine Cover Design
PosterPhoto

Cyberpunk Anime Magazine Cover Design

A cyberpunk anime magazine cover, symmetrical composition. A full-body central character standing under a dramatic spotlight beam, holding a staff, dynamic pose (one hand raised), positioned in the center of a vertical neon gradient light column (purple → blue → cyan → green). On the left and right sides, two semi-transparent side-profile characters (head and shoulders only), facing inward in a mirrored confrontation, one with blue-purple gradient hair, the other with yellow-green gradient hair. Dark background with deep purple to black gradient, enhanced with subtle checkerboard geometric texture. Strong stage lighting from above with radial spotlight rays. Pixelated vertical light beam effects, resembling retro digital screens or sound waves. Character design: detailed anime style, semi-realistic shading, cyberpunk aesthetic, gradient hair, futuristic functional outfits, metallic accessories, glowing accents. Typography layout: Large bold title at the bottom: “A NEW BATTLE AWAITS YOU!” in uppercase, heavy sans-serif, thick black outline, high contrast. Subtitle below: “WHEN WORDS FAIL BATTLE BEGINS.” thin sans-serif, centered. Small date text “MAR. 2023” in bottom-right corner. Vertical side text: “RED SOUL MONOLOGUE” (left), “PADMES ALBUM: BATTLE FOR BEAUTY” (right). Top-right diagonal green text: “Jujutsu Academy Rookie”. Add small mysterious symbols above the title and a green handwritten “Music” overlay. Color scheme: neon gradients, high contrast, cool tones with red and orange accent highlights. Highly detailed, sharp focus, cinematic lighting, magazine cover design, ultra high resolution, 4k, trending on ArtStation.

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Y2K Japanese Bootleg Movie Poster Harajuku Streetwear Art
PosterPhoto

Y2K Japanese Bootleg Movie Poster Harajuku Streetwear Art

Act as a Senior Vector Graphic Designer specializing in Y2K Japanese streetwear poster art. Your aesthetic universe: Tokyo bootleg culture, early 2000s remix zines, retro-futuristic sticker posters, Harajuku streetwear graphics. INPUT VARIABLES — resolve before executing: MOVIE TITLE — the main title text, split across two lines if needed SUBTITLE / TAGLINE — secondary brushstroke-style script line REFERENCE PHOTO — a portrait/face image to be treated with split duotone halftone effect PRIMARY COLOR — dominant background color (e.g. signal red) ACCENT COLOR 1 — warm saturated pop color for title text (e.g. electric yellow) ACCENT COLOR 2 — cool secondary duotone tone (e.g. deep violet/purple) CREDITS LINE — small uppercase cast/crew text at the bottom PHASE 1 — CANVAS Portrait format (3:4 ratio). Background: flat solid PRIMARY COLOR. No texture, no gradient, completely clean. PHASE 2 — CENTRAL IMAGE Place REFERENCE PHOTO as a large centered portrait cropped from chest up, framed with a thin flat border. Apply a split duotone halftone effect: left half of face tinted in ACCENT COLOR 1 right half in ACCENT COLOR 2. The halftone dot pattern must be visible and graphic — flat, no blur, no photographic rendering. The image feels like a screen-printed bootleg. PHASE 3 — LETTERING MOVIE TITLE LINE 1 — massive bold condensed display type, full poster width, flat ACCENT COLOR 1 fill, thick dark extrusion offset down-right. Dominates the top of the poster. MOVIE TITLE LINE 2 — large brushstroke handwritten script style, flat white, bold dark outline, overlapping the portrait frame creating z-depth — sits both in front of the photo and behind the top title. PHASE 4 — Y2K SIGNATURE ELEMENTS Infinity symbols (∞) flanking the portrait frame, flat ACCENT COLOR 1 4-point crosshair stars — thin elegant accent marks scattered at key intersections Loose scribble strokes — energetic hand-drawn loops in ACCENT COLOR 2 and pink/magenta at bottom corners, like marker graffiti Side column micro-text — two narrow columns of lorem-style body text in tiny white type flanking the portrait, left and right — creates editorial zine structure Bottom logo bar — 2–3 fictional brand stamps in bold caps + a globe icon ACCENT COLOR 1 CREDITS LINE in small tight uppercase tracking across the very bottom TECH SPECS Flat vector only. Zero gradients, zero drop shadows, zero blur. Maximum 5 colors: PRIMARY ACCENT 1 ACCENT 2 white, near-black. All outlines thick and clean. The poster must feel like a collectible bootleg silkscreen print — part movie poster, part Harajuku sticker sheet, part underground zine cover. Mood: a Tokyo graphic designer obsessed with this film stayed up all night and made the most unhinged fan poster ever printed.

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Psychological Horror Torn Paper Collage Editorial Movie Poster
PosterPhoto

Psychological Horror Torn Paper Collage Editorial Movie Poster

Psychological Horror Collage Poster — Torn Paper Editorial Style Act as a Senior Graphic Designer specializing in psychological horror editorial design. Your aesthetic universe: torn newspaper collage, halftone print culture, 90s underground zine horror, American Psycho-era corporate dread. INPUT VARIABLES — resolve before executing: MOVIE TITLE LINE 1 — first word(s) of title MOVIE TITLE LINE 2 — second word(s) of title MAIN PORTRAIT — large central face photo, serious/intense expression SIDE PHOTO 1 — smaller portrait, neutral expression SIDE PHOTO 2 — smaller portrait, holding an object SIDE PHOTO 3 — smaller portrait, extreme emotional expression (screaming/shocked) GROUP PHOTO — wide shot of multiple people, bottom right DIARY TEXT — a short first-person psychological monologue, 4–6 lines TAGLINE — bold bottom line (e.g. THE SILENCE IS DEAFENING...) ACCENT COLOR — dominant color used for title, background blocks, and tinted photos (e.g. deep crimson red) ATTRIBUTION — small credit line (e.g. ...by head ai) PHASE 1 — CANVAS Portrait format (3:4). Background: aged off-white/cream paper texture with rough torn edges on all four sides — looks like a real sheet ripped from something larger. No clean borders. The paper must feel physical and degraded. PHASE 2 — TITLE BLOCK MOVIE TITLE LINE 1 and MOVIE TITLE LINE 2 stacked at the top — massive bold serif type, deep ACCENT COLOR fill, no outline, no extrusion. The type is heavy, authoritative, slightly compressed. It dominates the top third of the poster completely. PHASE 3 — CENTRAL PORTRAIT MAIN PORTRAIT placed center, large, from chest up. Apply halftone dot grain — black and white, high contrast, visible dot pattern like a newspaper print. No color tinting on the main portrait — it stays stark monochrome. The figure should feel cold and dissociated. PHASE 4 — SIDE PHOTO GRID Four smaller photos arranged around the central portrait — two left column, two right column. Each photo is set inside a flat ACCENT COLOR rectangle background. Apply the same halftone treatment as the main portrait. The photos are slightly irregular in size and alignment — like they were cut and placed by hand. One photo (SIDE PHOTO 2) should show the subject holding a prop or object. One photo (SIDE PHOTO 3) should show an extreme expression. PHASE 5 — DIARY TEXT BLOCK Left side of poster, between the side photos. DIARY TEXT in bold uppercase sans-serif, tight leading, left-aligned. Small ATTRIBUTION line in italic below it. This text block feels like it was typed on a typewriter and pasted in. PHASE 6 — BOTTOM ELEMENTS TAGLINE across the very bottom — bold wide uppercase serif, deep ACCENT COLOR, large, confident. Below the torn paper edge, as if printed on the backing. Feels like a newspaper headline. PHASE 7 — TORN PAPER DETAILS The entire poster sits as a torn paper sheet. The edges must be rough and organic — not a clean rectangle. Ragged tears especially at the top and bottom. Subtle paper grain across the whole surface. The torn paper effect is the most important texture element — without it the poster loses its entire identity. TECH SPECS 3-color palette maximum: ACCENT COLOR, near-black, aged cream/off-white. All photos treated as halftone — no clean photography. No gradients. No drop shadows. No digital glow. The poster must feel like it was physically printed, cut, and assembled — not designed on a screen. Rough, editorial, tactile. Mood: a forensic investigator pinned this together on a corkboard at 3am and it accidentally became the most disturbing movie poster ever made.

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Fashion Week Editorial Split Layout Magazine Poster Face Swap
PosterPhoto

Fashion Week Editorial Split Layout Magazine Poster Face Swap

Ultra-realistic high-end fashion advertisement poster, minimalist editorial magazine style. STRICT LAYOUT (do not change anything): Vertical split composition. Right side: full-body fashion model. Left side: beige editorial panel with text + image frames. MODEL (KEEP EVERYTHING SAME, ONLY CHANGE FACE As GIVEN IN REFRANCE IMAGE): A stylish young woman standing in a relaxed confident pose, body slightly turned sideways, head turned to the right (looking away from camera). One hand inside pant pocket, other hand holding a brown leather bag. Outfit (exact): Beige/tan oversized blazer Soft white V-neck blouse High-waisted beige tailored trousers Minimal gold necklace Small earrings FACE REPLACEMENT (VERY IMPORTANT): Use the face from the provided reference image. Seamlessly blend the reference face onto the model’s head. Match skin tone, lighting, shadows, and color grading perfectly. Keep same head angle and expression as original pose. Ensure realistic identity preservation (no distortion, no mismatch). Ultra-clean face integration, professional fashion photography quality. LIGHTING & STYLE: Soft warm studio lighting, diffused, subtle shadows, luxury editorial look. Beige neutral tones, clean premium aesthetic. LEFT PANEL (COPY EXACT): Top text: “FASHIOIN Week 2026” (same spelling, bold modern sans-serif, brown) Below: “Presented by DigiGraphics. Hosted by Fashion House” Image frames: Two stacked rectangular frames showing cropped outfit close-ups (same outfit, same lighting) Bottom: Vertical text: “12 PM” “31 March 2026, Patna, Bihar” QR code placeholder “Register here” with small arrow STYLE KEYWORDS: ultra-realistic, editorial fashion poster, luxury branding, minimal, soft shadows, high detail, magazine layout.

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